Snapshots - #35: Marshall, American Made, The Glass Castle

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The movies…
Marshall (♦♦♦♦): Black lawyer Thurgood Marshall (Chadwick Boseman) is entrusted by the NCAAP to defend a black chauffeur (Sterling K. Brown) in Greenwich, CT, who has been accused of rape by his white employer. As Marshall is not allowed by the judge as legal counsel because he doesn't hold a CT license, he engages, reluctantly on both sides, the service of Jewish insurance lawyer Sam Friedman (Josh Gad), whom, with Marshall's help, will have to acquire criminal defense experience in a matter of months. But as the case is tried in court, it becomes evident that it is anything but cut and dry. Powerfully acted by Chadwick Boseman, Josh Gad, and Sterling K. Brown in the leading roles, Marshall treads a fine line between inspiring legal thriller and drama. On both counts it delivers in spades. Based on a true story, with race and bigotry fueling public opinion, before the apogee of the Civil Rights Movement, this accused black man is doomed from the start. A full century…

Movie: The Agony and The Ecstasy (♦♦♦)


In this motion picture stars Charlton Heston as Michaelangelo Buonaroti, which I think is an excellent choice of actor because he imparts the strength of character that must have been Michaelangelo’s trademark. The first few minutes of the movie occur in a documentary style, describing Michaelangelo’s development as a sculptor rather than a painter. That sets the tone for the start of the movie when already in Rome, after a war campaign to extend the Papal States, Pope Julius II (Rex Harrison) commissions Michaelangelo to paint the ceiling of the Sistine Chapel. Michaelangelo opposes because he is a sculptor, but the Pope insists and eventually gets his way. In the film’s first hour, Michaelangelo debates whether he should go to Rome to paint the frescoes or go to Turkey to build a bridge. He escapes Rome after destroying the first two saints he has painted on the ceiling, and the Pope sends envoys to bring him back. Running away from the Pope’s envoys, he reaches the summit of a mountain, and there, watching a sunrise among the clouds, has a revelation about how the religious themes on the Sistine Chapel’s ceiling should be approached. In the second hour, there is a constant the battle of wills between the Pope and Michaelangelo to finish the ceiling.


Despite good acting, I felt there was something missing to the movie, perhaps the script and supporting cast were not the best, which it was a pity.

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