Snapshots - #35: Marshall, American Made, The Glass Castle

The movies…
Marshall (♦♦♦♦): Black lawyer Thurgood Marshall (Chadwick Boseman) is entrusted by the NCAAP to defend a black chauffeur (Sterling K. Brown) in Greenwich, CT, who has been accused of rape by his white employer. As Marshall is not allowed by the judge as legal counsel because he doesn't hold a CT license, he engages, reluctantly on both sides, the service of Jewish insurance lawyer Sam Friedman (Josh Gad), whom, with Marshall's help, will have to acquire criminal defense experience in a matter of months. But as the case is tried in court, it becomes evident that it is anything but cut and dry. Powerfully acted by Chadwick Boseman, Josh Gad, and Sterling K. Brown in the leading roles, Marshall treads a fine line between inspiring legal thriller and drama. On both counts it delivers in spades. Based on a true story, with race and bigotry fueling public opinion, before the apogee of the Civil Rights Movement, this accused black man is doomed from the start. A full century…

Million Dollar Baby (♦♦♦♦)

Frankie Dunn (Clint Eastwood) is a seasoned boxing trainer, cautious by nature, trying unsuccessfully to reconnect with his estranged daughter. His chance, to forgive himself for whatever bad deeds he may have done in the past, comes along when an aficionado fighter named Maggie Fitzgerald (Hilary Swank) arrives at his gym, and asks him to be his trainer. “I don’t train girls”, Frankie says, but Maggie’s tenacity eventually wins him over. Maggie begins winning fights by knockout in the first rounds, and Frankie is left to figure out how to get her more fights since everyone refuses to fight her; so she is moved up a division, and that does the trick. Maggie faces rivals in Europe, and when she comes back to the States her reputation precedes her. It is then that her big opportunity to win a Championship Belt comes by facing “The Blue Bear”, an ex-prostitute from Eastern Europe, famous for fighting dirty.

Shadows contribute to enhance the drama in this movie, and so does the original music score. Morgan Freeman’s voice over is a special treat, because it enhances the drama as well. Clint Eastwood is superb, as always, as both actor and director; Morgan Freeman, as Scraps, a former boxer left blind in his last fight, also shines as always. Although this movie is usually described as a tearjerker, it didn’t have that effect on me; I don’t know if it was because I had read so much about the movie before seen it.

I got the impression that Hilary Swank didn’t deserve this Oscar, despite being a good performance; it was good but it wasn’t unforgettable, unlike Annette Bening’s performance that same year in “Being Julia”.


Popular posts from this blog

El Reino de Este Mundo by Alejo Carpentier (♦♦♦♦)

After Acts by Bryan Litfin (♦♦♦♦♦)

My New Addiction: Paperless Post