Snapshots - #42: Thor: Ragnarok, Film Stars Don't Die in Liverpool, LBJ

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Thor: Ragnarok (2017), (♦♦♦♦½): Thor has saved earth twice by now and has, for the last two years, wandered the universe searching for infinity stones. He hasn't found any. He has, however, become prisoner of an enemy of Asgard, Surtur, who tells Thor that his visions of Asgard engulfed in flames is a premonition of Ragnarok—the destruction of Asgard, which is already in motion. Thor frees himself and arrives at home to find Loki sitting on the throne, passing as Odin, and neglecting his duties to protect the Nine Realms. With Odin's exile, Asgard's enemies have been reassembling, but Odin's death may just free Hela, a goddess against whom neither Thor nor Loki are enough.
It was in Thor: The Dark World where Loki, an antagonist, first threatened to steal the show. He became the villain that Marvel fandom loves to hate. While Loki is at his most charming in this film, the director, with the help of a sparkling screenplay, has very much exploited the great chemistry of t…

Jane Eyre (♦♦♦♦)

Jane Eyre (Mia Wasikowska, Alice in Wonderland) grows up in a boarding house until she is old enough to procure a job. With her fine education, Jane becomes the governess at Thornfield, whose owner, Mr. Edward Rochester (Michael Fassbender, Inglorious Basterds) falls in love with her, only he has a terrible secret. On Jane and Rochester’s wedding day, some truths are revealed, which drive Jane away from Thornfield.

I had previously watched Franco Zeffirelli’s 1996 Jane Eyre; I rated that movie 5 stars. I also liked this Cary Fukunaga’s version. This film is dark, which normally characterizes period pieces, but it suits the mood of this movie rather well. Here there is a powerful secret, hidden in plain sight, protected by the house’s employees, so the darkness works like a metaphor. The music is ethereal. I enjoyed the spring romance (also a metaphor), and the chemistry between Wasikowska and Fassbender, which is undeniable.

I should remark that Mia Wasikowska’s performance really impressed me. Her Jane Eyre is a quiet, driven performance, a strong willed woman who has been through much and it’s not afraid of showing it. Bravo, Mia!

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