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Showing posts from March, 2015

Snapshots - #35: Marshall, American Made, The Glass Castle

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The movies…
Marshall (♦♦♦♦): Black lawyer Thurgood Marshall (Chadwick Boseman) is entrusted by the NCAAP to defend a black chauffeur (Sterling K. Brown) in Greenwich, CT, who has been accused of rape by his white employer. As Marshall is not allowed by the judge as legal counsel because he doesn't hold a CT license, he engages, reluctantly on both sides, the service of Jewish insurance lawyer Sam Friedman (Josh Gad), whom, with Marshall's help, will have to acquire criminal defense experience in a matter of months. But as the case is tried in court, it becomes evident that it is anything but cut and dry. Powerfully acted by Chadwick Boseman, Josh Gad, and Sterling K. Brown in the leading roles, Marshall treads a fine line between inspiring legal thriller and drama. On both counts it delivers in spades. Based on a true story, with race and bigotry fueling public opinion, before the apogee of the Civil Rights Movement, this accused black man is doomed from the start. A full century…

All the Old Knives by Olen Steinhauer (♦♦♦♦)

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In 2006, Celia Favréau, neé Harrison, and Henry Pelham had been a couple for a year in the morally complex world of intelligentsia, until four Islamic terrorists hijacked a plane on arrival at Flughafen airport in Vienna, and sent Celia's, Henry's, and other US embassy personnel's lives spinning out of control for the next six years. One hundred and twenty lives were lost in the incident, and it was always suspected that the terrorists had had a mole inside the embassy.
Six years later, Henry is still looking for answers to finally close the investigation. To that end, he interviews former personnel who played key roles during the Flughafen affair, and he ends up in Carmel-by-the-Sea, the town where Celia lives with her newfound family.
All the Old Knives has a consistent writing style throughout, very reminiscent of Le Carré’s: the story unfolds in an interview fashion alternating perspectives between Celia and Henry, the past and the present. I’m not an expert on Le Carré,…